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CYRIL WATTERS : An Unassuming Genius of Light Music
By DAVID ADES
Of all the many musicians I have met since 1956 at meetings
of the Robert Farnon Society, few have been as modest and
charming as Cyril Watters. He was a true gentleman, in every
good sense of the word, and it was always a great pleasure
to be in his company. Never one to promote his own music,
he was always at great pains to compliment others on their
work, which was amply confirmed during the many years that
he guided the Light Music Society as its Secretary. This was
during a difficult period of the 1960s, when the BBC and record
companies seemed to be turning their backs on Light Music,
but Cyril’s quiet persuasion undoubtedly benefited many
of his colleagues in the profession.
Henry Cyril Watters was born on 13 February 1907, the eldest
of three children whose parents were Henry James and Florence
Edith Watters. His sister Vera was born in 1910, and his younger
sister Joan was born in 1922. Cyril’s father’s family
were Londoners in trades such as boot making and tailoring.
His mother’s family had roots in oyster gathering in
the Whitstable area going back to the 1740s.
From his early childhood Cyril had a strong desire to write
music. In a magazine interview in 1937 he confessed that at
the age of 12 he cajoled his sister and friends to assist
him in staging an operetta, but his success as a musician
did not happen overnight. He left school aged 16 in 1923 having
matriculated, and by day he worked as a ledger clerk, while
in his spare time he played piano in various small groups.
He became known locally, playing the piano at dances, concerts
and social events, and was a member of the New Shaftesbury
Dance Band.
In 1929 he won the first prize in a Melody Maker Song Foxtrot
competition with a piece called She’s My Slip Of A
Girl. This was recorded commercially by Tommy Kinsman
(Piccadilly records), Arthur Lally (Decca), Ray Noble and
the New Mayfair Dance Orchestra (HMV) and Jack Payne and his
BBC Dance Orchestra (Columbia). The composer was credited
as ‘Henry Watters’, which must have delighted Cyril’s
father who had the same name.
This success encouraged Cyril to send songs to various publishers,
but he kept getting them rejected. In 1932 he won £50 in a
Daily Mail ‘New Rhythm’ contest, and a year later
he took the courageous decision to devote himself full time
to music. For a short while he studied at the Guildhall School
of Music, although he said that most of his knowledge was
gleaned from text books.
The next landmark came in 1935, when he signed a contract
with music publishers Francis, Day and he joined the Performing
Rights Society. At the same time he was still playing the
piano for his main source of income, and during the summer
of 1937 he was appearing regularly at a roadhouse called "Houseboat"
near Radlett, Herts.
By 1939 he decided that his financial situation was sufficiently
secure, and he married his wife Olive Doris at Willesden Registry
Office on 29 May. After a honeymoon in Devon they spent the
summer in the Isle of Wight so that Cyril could fulfil a playing
contract.
Cyril’s first daughter Jill was born on 12 August 1940.
When she was five weeks old the family moved to Hitchin, Herts
to escape the London bombing: the very same day that they
moved their house in Willesden was destroyed. Cyril had to
remain to work in London, so he lived with his parents for
a while.
On 15 July 1941 Cyril joined the Royal Air Force and was
trained as a radio mechanic and in radar systems. On 15 February
1942 Cyril’s son John (always known in the family as
Jack) was born, and the same year saw his first published
composition Irene. The copyright contract showed his
address as ‘RAF Neatishead, Norwich’. A second daughter
Julie was born on 30 May 1944.
After spending most of the war at RAF bases in England, early
in 1945 he was sent to Belgium then to Germany. He returned
to England in June, and was demobbed in January 1946. Back
in civilian life Cyril joined Lawrence Wright’s Music
Publishers as an arranger, where he remained until 1950. In
1947 the family had moved from Hitchin back into London at
49 Geary Road, Dollis Hill, Willesden, where Cyril lived for
the rest of his life.
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Cyril
Watters and Robert Farnon
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The most successful of Cyril’s early compositions was
Bargain Basement, which Boosey & Hawkes recorded
for their Recorded Music Library in 1949. For a while Cyril
was at the music publishers Chappell, often producing piano
scores of some of their most popular light orchestral works.
Later he would talk about how this gave him an insight into
Robert Farnon’s scores, which he found fascinating.
Ice Shows were also to play a significant role in advancing
Cyril’s career as one of the new breed of top arrangers.
In 1950 he provided the orchestrations and choral arrangements
for "Cinderella On Ice" at the Empress Hall, and
also composed some incidental music. He was similarly involved
in the 1952 production of "Puss In Boots" for which
he received the princely sum of £275.00! Producers outside
London also engaged his services, with his name appearing
on the credits for ice shows in Bournemouth from 1952 to 1955.
Top stars of the time, such as Tessie O’Shea and Janet
Brown also commissioned songs from Cyril.
His gentle sense of humour sometimes came to the fore in
the songs he composed. When his children were young they were
taken on seaside holidays, and they loved covering him with
sand on the beach. Cyril wrote I Can’t Remember Where
I Buried Daddy which went down well in concert parties
and cabarets.
From 1953 to 1962 he was the chief arranger for Boosey &
Hawkes, and they published several of his own compositions.
His works were also accepted by other publishers, and by the
end of the 1950s he was one of Britain’s leading composers
of mood music – the melodies recorded especially for
use by radio, television, films, documentaries and newsreels.
His output during the 1960s mushroomed to well over one hundred
compositions, one of them – "The Willow Waltz"
– winning him a prestigious Ivor Novello Award in 1960
following its use as the theme for a BBC-TV serial "The
World Of Tim Frazer".
Cyril’s contract with Boosey & Hawkes was not restrictive.
As well as arranging music written by many of their own composers,
while they were happy to accept many of his original compositions,
they did not prevent him from submitting work to rival publishers.
From 1962 onwards he decided to work freelance, thus ushering
in a period of his life that would witness a large number
of original compositions in many styles.
In 1962 Cyril’s song White Wedding was recorded
for HMV by Sheila Southern with the Mike Sammes Singers and
Frank Cordell and his Orchestra. It sold steadily for a long
time, with total sales figures exceeding many so-called ‘hits’
of the day, which often managed big sales for a week or two
(thus placing them in the charts) followed quickly by oblivion.
The tune was originally entered in a songwriting contest promoted
by the ‘People’ newspaper, where it came 4th.
When he wasn’t working, Cyril enjoyed playing cricket
and he was also a meticulous stamp collector, amassing around
15 albums plus a specialist one of Great Britain. He also
collected first day covers, and sought out stamps relating
to music and dance.
By the mid-1960s Cyril had composed over 300 works, half
of which were for background music libraries – today
usually called ‘production music’. In 1964 Radio
South East chose his Pot Luck as their signature tune,
which was heard regularly for four years. Although he professed
to dislike conducting, it was inevitable that Cyril would
one day be engaged by the BBC. His first broadcast conducting
‘Cyril Watters and his Players’ was on the Home
Service on 9 January 1963. But Cyril clearly didn’t press
for more, because he didn’t return to BBC studios until
25 January 1965 for the famous "Music While You Work"
programme, with a second following on 10 May 1965 and a final
one on 4 July 1966. Cyril’s ensemble included famous
names including Reginald Leopold, Arthur Anton and Robert
Docker. Prior to that, many of Cyril’s arrangements had
been featured in the show when he was an arranger for various
publishers. He also contributed to the military band repertoire.
Although he was accomplished at writing in a variety of different
moods, it is perhaps his bright and breezy pieces that were
so successful in the mood music libraries. Not content with
just creating a strong main melody – always instantly
appealing - his works are characterised by attractive middle
themes which lift the composition to a higher level. Not all
his contemporaries took such care in ensuring that their works
were so completely satisfying.
Cyril went into semi-retirement during the 1970s, although
he continued to compose and arrange. Since 1982 his health
had been failing and he died on 24 November 1984 aged 77.
It was not easy to get Cyril to talk about his own music,
but he did once admit to me that he was proud of his Piccadilly
Spree which Boosey & Hawkes issued on a 78 record
in 1953. I shall always treasure the personally signed copy
he kindly gave to me.
The following Cyril Watters compositions have been released
on commercial CDs in recent years:
Bargain Basement Vocalion CDVS 1958
Celtic Melody Vocalion CDLK 4192
Flat Spin Guild GLCD 5142
Melody At Moonrise Guild GLCD 5145; Vocalion CDVS 1958
Midsummer Madness Vocalion CDVS 1958
Paper Chase Vocalion CDLK 4274
Piccadilly Spree Guild GLCD 5103; Vocalion CDVS 1958
Talking Point Vocalion CDLK 4192
A Selective Discography of Production Music composed by
Cyril Watters
not in chronological sequence
Boosey & Hawkes
Irene
Melody At Moonrise
Full Dress
Spring Idyll
Moods In Miniature
Back Chat
Evening Panorama
Sleepy Hollow
Willow Waltz
A Bedtime Story
Merry Madcap
Cat and Mouse
In High Feather
Shuttlecock
Saucebox
Lavender Lady
Fashion Notes
Little Miss Mischief
Damask Rose
Proud Heritage
Neck and Crop
Tea-time Gossip
Watersmeet
Celtic Melody
Talking Point
Pioneer Spirit
By A Mountain Lake
In Clover
Morning Reverie
Sea Voyage
In The Running
A Little Off Beat
Market Day In Martinique
An English Fantasy
Motorway Patrol
Mountain Railway
A Welsh Fantasy
Caribbean Caper
A Scottish Fantasy
Mediterranean Mood
Happy Ending
Paxton
On A Cheerful Note
Shadows On The Water
Gadabout
Leaps And Bounds
Top Of The Bill
In Full Cry
Making Merry
Francis, Day & Hunter
Cock-a-Hoop
Theme for a Coquette
Willy Nilly
Crepe Suzette
Moonlight Flit
Ladies In Waiting
De Wolfe
The Fairy Ring
Call Boy
Ride-a-Cock-Horse
Tomfoolery
In Homage
Coming And Going
Morning Glory
Sporting Colours
Works Party
Sporting Notes
Poste Haste
Bosworth
Flat Spin
Behind The Footlights
Pelican Parade
Romantic Vision
Cat Among The Pigeons
Chorus Master
Autumn Glade
Charles Brull (Harmonic)
Russia Marches On
Red Square
Josef Weinberger
Slav Dance
Holiday In Havana
Catch As Catch Can
Juile
Bric-a-Brac
Breakaway
Inter-Art (Impress)
Sportsman’s Chance
Folies Parade
In Fine Fettle
Dangerous Conflict
Over The Mountain
Southern
Up and Going
Woodland Tryst
Poppycock
Moorland Song
Floor Show
In Good Humour
Sales Talk
Melody In Mink
Wallflower Theme
Quiet Valley
Carnival In Venezia
Serenade To Gina
Conroy (Berry Music)
Treading On Air
Pep Talk
Chappell
Paper Chase
Pony Trek
Usherette
David Ades wishes to thank Cyril Watters’ daughter,
Jill Coward, for her valued assistance in preparing this tribute.
Also Brian Reynolds for additional information.
CYRIL WATTERS’ BROADCASTS
Broadcast 9.1.63 11.00am Home Service (announced)
A Bedtime Story (Sig) Watters
Perpetuum Mobile Strauss
Vanity Fair Collins
A Mill in the Black Forest Eilenberg
The Willow Waltz Watters
Faire Frou Frou Binge
Eriskay Love Lilt Kennedy-Fraser
Sleigh Ride Anderson
Ladies of Lisbon Tristan
Frasquita Serenade Lehar
Peanut Polka Farnon
A Bedtime Story (Sig) Watters
Players: R.Leopold, A.Anton, E.Bryett, D Bellman, E.Fox,
J.Collier, R.Docker, W.Davies, E.Chapman (horn)
Music While You Work 25.1.65 10.31a.m. Light prog.
Calling All Workers Coates
Sleigh Ride Anderson
Amorette Watters
Boulevardier Curzon
Ladies of Lisbon Tristan
Tabarinage Docker
Vanity Fair Collins
Perpetuum Mobile Strauss
Louisette Vallez
Rio Rhythm Watters
Coralita Warr
Peanut Polka Farnon
Calling All Workers Coates
Players: R.Leopold, A.Anton, H.C.Gee, D.Bellman, E.Fox,
J.Collier, S.Bright, G.Blackmore, M.Lewin
Music Whille You Work 10.5.65 10.31a.m. Light Prog
Calling All Workers Coates
Sophie Galop Lanjean
Frasquita Serenade Lehar
Tango del Sol Watters
Tabarinage Docker
Louisette Vallez
Whisky Galore Hartley
Love Dance Hochna
Faire Frou Frou Binge
Belle of Brazil Rubach
Lady Beautiful Bayco
Peanut Polka Farnon
Calling All Workers Coates
Players:R.Leopold, A Anton, H.C.Gee,K.Cummings, E.Fox,
L.Cushion, R.Docker, L.Mordish, M.Lewin
Music While You Work 4.7.66 10.31a.m. Light Prog.
Calling All Workers Coates
Sophie Galop Lanjean
Frasquita Serenade Lehar
Tabarinage Docker
Belle of Brazil Rubach
Betty Dear Agoult
Shy Serenade Scott-Wood
Pancho from Peru Watters
Louisette Vallez
Faire Frou Frou Binge
Coralita Warr
Peanut Polka Farnon
Calling All Workers Coates
Players: J.Gaillard, O.Rosen, A.Anton, D.Bellman, B. Rickelman,
C.MacArthur, R.Docker, W.Davies, M.Lewin.
This article first appeared in "Journal Into Melody",
September 2010.
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