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BBC ACKNOWLEDGES THAT IT HAS FAILED TO MAINTAIN ITS APPEAL TO MANY OLDER LISTENERS

Last February BBC Radio 2 was told to do more to appeal to older listeners - particularly over-65s.

In a major review of the station, the BBC Trust said Britain's biggest network should find a "more varied and challenging selection of programmes" - even if this meant losing some of its audience. The review, which began nine months earlier, said Radio 2 needed to be more "distinctive" and more ambitious in its "non-music" programmes in peak-time. The station targets over 35s with 82% of its audience within that age range with the average audience member of 50. But it said Radio 2 must do "more to target those over 65 years of age". The Trust concluded that Radio 2 was highly regarded by audiences but should use its scale to be more distinctive.

Other recommendations today included: Providing peak-time audiences with more content they could not hear elsewhere, refreshing comedy and arts programmes; Reaching more ethnic minority groups. BBC Trustee David Liddiment, who led the review, said: "Radio 2 has a large audience who clearly love its output, but the review showed it must break out of the routine with its programming, in particular to be more distinctive during peak time. We're aware of concerns about Radio 2 targeting a younger audience. The current average audience age of 50 is well within the station's target audience, but the Trust is clear that this must not fall any further, and we would like to see Radio 2 work on its appeal to over 65 year olds."

For years the Robert Farnon Society has criticised the music output of Radio 2. Although there are a few notable exceptions (such as "Friday Night Is Music Night" and shows presented by Russell Davies, David Jacobs and Desmond Carrington), the music played in most Radio 2 programmes can be heard elsewhere on countless radio stations, both local and national commercial. Older listeners who enjoy light music and the kind of repertoire generally classified as 'popular' (rather than 'pop') are poorly served. Even if a change of music policy results in Radio 2 losing some of its younger listeners, it could well find that the older generation will start listening in once again. Programmes appealing to more mature listeners should be broadcast during the daytime when they are at home to listen; it does not seem sensible to target daytime programmes towards a younger audience which is either at school or at work, as seems to be the case now.

First evidence of a possible change occurred in mid-April when Desmond Carrington’s weekly show was moved to 7:00 pm on Friday evenings, immediately before "Friday Night Is Music Night" which now occupies the 8:00 to 10:00pm slot. There is also talk of a ‘special’ in the summer bringing back "Legends of Light Music" – if this happens it will be announced on the Latest News page of the RFS website. This seems to be the best opportunity in years for those of us who would like to see a more enjoyable mix of music on Radio 2 to make our feelings clear. Every letter helps, and is more seriously considered than petitions by the powers-that-be.

BBC Trust publishes review of BBC Radio 2 and 6 Music

15 February 2010

A BBC Trust review published today concluded that Radio 2 was highly regarded by audiences but should use its scale to be more distinctive, while 6 Music was distinctive and well-liked by its listeners, but needed to reach a bigger audience.

The review looked at the performance of Radio 2 and 6 Music - including usage, quality, distinctiveness and value for money.

BBC Trustee David Liddiment, who led the review, said:

"Radio 2 has a large audience who clearly love its output, but the review showed it must break out of the routine with its programming, in particular to be more distinctive during peak time. In contrast, 6 Music has a distinctive approach, but the review concluded that it needed to grow its audience base without losing its USP.

"We're aware of concerns about Radio 2 targeting a younger audience. The current average audience age of 50 is well within the station's target audience, but the Trust is clear that this must not fall any further, and we would like to see Radio 2 work on its appeal to over 65 year olds."

Key findings and recommendations

Radio 2

The Trust's review found that Radio 2 was popular with listeners, who believed the station was distinctive - eight out of ten felt that Radio 2 offered something that could not be easily found elsewhere. This finding was supported by analysis of Radio 2's output which found that, in a typical week, most tracks played were unique to the station. The Trust's review welcomed the lack of music overlap between Radio 2, Radio 1, 6 Music, and comparable commercial radio stations. It concluded, however, that the station should become more distinctive by adopting a more ambitious approach to non-music content in peak time.

Radio 2's remit is to appeal to all ages over 35. Its under 35 audience has grown significantly over the last 10 years, albeit from a low base, but since 2004 this growth has stabilised. Today some 82 per cent of Radio 2's listeners are over 35, and the average audience age is 50. The review concluded that Radio 2 should maintain this stability but also protect the interests of its older audiences - specifically doing more to target those over 65 years of age.

Radio 2's listeners are loyal to the station, with nearly five million listening to no other BBC radio, and around two million listening to no other radio at all. The review concluded that Radio 2 should use this scale and popularity to make a greater contribution to the BBC's public purposes. The review's key recommendations were as follows:

    • Radio 2 should provide the peak time audience with more content that the licence fee payer couldn't hear anywhere else. This meant, for example, refreshing comedy and arts programming and using some of this material in peak time

    • As an entertainment station, Radio 2 should aim to preserve the aspects of the station which made it popular but we accept the risk that some loss of audience may be a consequence of a more varied and challenging selection of programmes

    • It should also seek to address variances in reach between audience groups - for example the Trust's research showed that ethnic minorities in particular were less likely to listen

    • The station should seek to promote the benefits of new technology so that hard to reach groups, such as the over 65s, did not get left behind.

to other articles:

[ THE QUEEN'S HALL LIGHT ORCHESTRA ]
[ FRANK COMSTOCK ] [ LOONIS MCGLOHON ] [ JOHNNY HARRIS ]
[ BRIAN KAY INTERVIEWS ROBERT FARNON ] [ GAVIN SUTHERLAND ]
[ FARNON IN CONCERT 1967 ] [ SOUND RESTORATION ]
[ CONRAD SALINGER ] [ PAUL GEMIGNANI ] [ ANGELA MORLEY ]
[ JOHN WILSON AT ABBEY ROAD MAY 2003]
[ ALAN AND BLOOM CLARE, PETER SELLERS ]
[ GUILD LIGHT MUSIC ] [ CARRY ON COMPOSING ]
[ MEMORIES OF LEVY’S SOUND STUDIOS 1955-1961 ]
[ SOUND COPYRIGHT: UNDER THREAT AGAIN? ]
[ ROBERT FARNON'S TRADE SECRET ]
[ ROBERT FARNON An Affectionate Tribute by MARC FORTIER ]
[ BOB FARNON HAS BEEN MY TEXTBOOK FOR STRING WRITING ]
[ AND THEN A VIOLIN BEGAN TO PLAY: ]
[ Bob Farnon: The Practical Joker recalled by MURRAY GINSBERG ]
[ THE LONGINES SYMPHONETTE RECORDINGS ]
[ THE FILM MUSIC OF CLIFTON PARKER ]
[ VAN ALEXANDER ]
[ PETE CANDOLI AND UAN RASEY IN CONVERSATION WITH FORREST PATTEN ]
[ SIDNEY TORCH recalled by LEW WILLIAMS ]
[ PREMIERE OF ROBERT FARNON’S SYMPHONY No. 3 – THE ‘EDINBURGH’ ]
[ ROBERT FARNON – GENIUS & HUMILITY by Dr. STANLEY SAUNDERS ]
[ ROBERT FARNON’S BIG BAND AND JAZZ MUSIC by PAUL CLATWORTHY ]
[ ADAM SAUNDERS – A YOUNG COMPOSER OF NOTE talking to Peter Edwards ]
[ DANIEL SMITH, BASSOON VIRTUOSO interviewed by DAVID ADES ]
[ BOB BAIN – the famous American Guitarist is interviewed by Forrest Patten ]
[ DAVID ROSE – Enrique remembers the musical Englishman ]
[ GEORGE GERSHWIN – an affectionate tribute by Murray Ginsberg ]
[ Murray Ginsberg remembers a musical genius – Cole Porter ]
[ Neal Hefti is interviewed by Forrest Patten ]
[ Alan Bunting takes us behind the scenes of the Guild ‘Golden Age of Light Music’ CDs ]
[ Sound Copyright: the Threat to Light Music ]
[
The Great Ones Compared by Enrique Renard ]
[ BBC Television Newsreel recalled by Peter Luck ]
[ Matty Malneck: a Profile by Arthur Jackson ]
[ British Children’s Authors and Light Music by Philip Scowcroft ]
[ Harrigan Logan pays tribute to Gene Lees ]
[ American Wind Symphony: The Gaels by Robert Farnon by Dr. Stanley Saunders ]
[ Peter Appleyard – Wizard of the Vibraphone by Murray Ginsberg ]
[ BBC RADIO : TIME FOR A RADICAL RETHINK argues David Ades ]
[ GOWERS REVIEW OF INTELLECTUAL PROPERTY – THE FINDINGS ]
[ SOUND COPYRIGHT – THE SAGA RUMBLES ON! ]
[ European Study rejects call for Sound Copyright period extension ]
[ Robert Farnon on ‘Desert Island Discs’ in Canada ]
[ PLAQUE IS UNVEILED IN HONOUR OF HAYDN WOOD ]
[ EDINBURGH LIGHT ORCHESTRA Celebrates its 30th Anniversary ]
[ ANDRE KOSTELANETZ – The Man who started it all by Enrique Renard ]
[ GREAT DAYS OF HOLLYWOOD FILM MUSIC by Reg Otter ]
[ LEROY ANDERSON'S 'FIDDLE FADDLE' analysed by Robert Walton ]
[ TOM WALSH – FOLLOWING IN GRANDPA’S FOOTSTEPS! ]
[ JOHN WILSON CELEBRATES THE GLORIOUS MGM MUSICALS AT THE PROMS ]
[ ROBERT FARNON’S BASSOON CONCERTO RECEIVES ITS WORLD PREMIERE IN MALVERN ]
[ TONY BENNETT AND ROBERT FARNON AT ‘THE TALK OF THE TOWN’ ]
[ Eileen Farrell & Robert Farnon Spring 1990 London Sessions ]
[ Remembering Gene Lees – a Great Supporter of Robert Farnon ]
[ BBC Acknowledges that it has failed to maintain its appeal to Older Listeners ]
[ THE ROBERT FARNON CD THAT NEVER WAS ]
[ JOHN WILSON’s RODGERS AND HAMMERSTEIN PROM CONCERT IN 2010 ]
[ 2010 IS THE CENTENARY OF THE BIRTH OF DAVID ROSE ]
[ TREVOR DUNCAN - THE AUTOBIOGRAPHY THAT ONLY JUST STARTED ]
[ MORE ABOUT JAN BERENSKA ]
[ JOHN BARRY - TRIBUTE BY GARETH BRAMLEY ]
[ REMEMBERING GEORGE SHEARING ]
[ LIGHT FANTASTIC WAS SIMPLY FANTASTIC! ]
[ LIGHT MUSIC: A RECONSIDERATION – INTERVIEW WITH DAVID ADES ]
[ THE ALAN DEAN STORY ]
[ JOHN BARRY MEMORIAL CONCERT 2011 ]
[ The Effects of the Extension of European Copyright in Sound Recordings to 70 year ]
[ Hooray for Hollywood : John Wilson’s 2011 BBC Prom ]

- a welcome new Chandos CD
Some Recollections by Angela Morley
]
[ Jumping Bean ] [ Keeping Track ]

 


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