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Long
regarded as one of the leading figures in the field of light
music, Ernest Tomlinson was born at Rawtenstall, Lancashire
on September 19, 1924 into a musical family. He started composing
when he was only nine, at about the same time that he became
a choirboy at Manchester Cathedral, where he was eventually
to be appointed Head Boy in 1939. Here, and at Bacup and Rawtenstall
Grammar School his musical talents were carefully nurtured,
and he was only 16 when he won a scholarship to Manchester
University and the Royal Manchester (now Northern) College
of Music. He spent the next two years studying composition,
organ, piano and clarinet until, in 1943, the war effort demanded
that he leave and join the Royal Air Force. Defective
colour-vision precluded his being selected for aircrew and
the new recruit, having his request to become a service musician
turned down on the grounds that he was too healthy to follow
such a career, found himself being trained as a Wireless Mechanic,
notwithstanding that many of the components he was required
to work with were colour-coded! (The future composer, however,
was duly delighted with his assignment, which he thoroughly
enjoyed and which almost certainly contributed to a later
interest in electronic music). He saw service in France during
1944 and 1945, eventually returning to England where, with
the cessation of hostilities, he was able to resume his studies.
He finally graduated in 1947, receiving the degree of Bachelor
of Music for composition as well as being made a Fellow of
the Royal College of Organists and an Associate of the Royal
Manchester College of Music for his prowess
on the King of Instruments.
Ernest Tomlinson
then left the North of England and headed south to London
where, for several years, he worked as a staff arranger for
Arcadia and Mills Music Publishers, providing scores for radio
and television broadcasts as well as for the stage and recording
studios. He maintained his interest in the organ by taking
up a post at a Mayfair church, but increasingly, composing
came to play the dominant role. He had his first piece broadcast
in 1949 and by 1955, when he was able to earn his living entirely
by composing, he was to be heard on the radio with his own
Ernest Tomlinson Light Orchestra and later, with his group
of singers. While not neglecting the larger-scale forms, including
several works in symphonic-jazz style, the first of which,
Sinfonia '62, won the million-lire First Prize in the Italian
competition for "Rhythmic-Symphonic" works, three concertos,
a one-act opera Head of the Family, a ballet Aladdin, Festival
of Song for chorus and orchestra as well as a substantial
and varied body of works for choir and music for brass and
wind bands, it was as a writer of light orchestral pieces
that he was to become best-known. In this area, he has produced
a considerable number of works ranging from overtures, suites
and rhapsodies to delightful miniatures, of which Little Serenade
is probably the most popular.
From the
time that he first directed a church choir when he was just
17, Ernest Tomlinson has been active as a conductor, firmly
believing that involvement in performance is vitally important
for a composer. From 1951 to 1953, he was musical director
of the Chingford Amateur Dramatic and Operatic Society in
Essex. In 1976, he took over the directorship of the Rossendale
Male Voice Choir from his father, Fred, a post he held for
five years, during which time he led the singers to victory
in their class in each of the three years of BBC Television's
Grand Sing Competition. Not long afterwards, in association
with the Rossendale Ladies Choir and its conductor Beatrice
Wade, he helped form the Rossendale Festival Choir which quickly
went on to win a number of competitions. Then, at the official
retiring age of 65, he founded yet another new group, the
Ribble Vale Choir, with which he is still actively involved.
In the orchestral
field, he has often conducted performances of his own works,
one of the most notable occasions being in 1966 when he was
on the rostrum in the Tchaikovsky Hall, Moscow for his Symphony
'65, played by the Moscow Radio Symphony Orchestra and Big
Band - the first time a symphonic jazz work had been heard
in Russia. In his home country, he was responsible for the
founding of the Northern Concert Orchestra, with whom he gave
numerous broadcasts and concerts, the emphasis being on the
light orchestral repertoire.
A man of boundless energy, Ernest Tomlinson has also found
time to serve for several years on the Executive Committee
of the Composers' Guild of Great Britain and was its Chairman
in 1964. In addition, he has been a composer-director of the
Performing Rights Society since 1965. In 1984, he founded
The Library of Light Orchestral Music, which is housed in
a huge barn at his farmhouse home near Longridge, Lancashire,
and currently contains around 30,000 pieces, including many
items that would otherwise have been lost. And finally, his
wartime training has been put to excellent use in his ability
to utilise technological developments within the musical sphere,
be it by realising scores electronically or by perfecting
computer publishing and cataloguing systems.
Much respected
by fellow professionals in the musical world, as witness his
receipt of the Composers' Guild Award in 1965 and two Ivor
Novello Awards (one for his full-length ballet Aladdin in
1975, the other for services to light music in 1970), Ernest
Tomlinson's services have been called upon in other areas
as well. A keen sportsman, he played wing-threequarters for
the prestigious Saracens Rugby Union Club and then for Chingford
in Essex. For many years he could be found padded up and ready
to do battle on behalf of Eynsford village cricket team in
Kent and, later, his home town of Longridge in Lancashire.
He still enjoys an early morning cycle ride, while for relaxation
(!) he lists do-it-yourself, electronics and, last but by
absolutely no means least, the joys of family life - of which,
with a wife, four children and eight grandchildren, there
are many. This, then, is Ernest Tomlinson: composer, conductor,
organist, administrator, librarian - and consultant for Marco
Polo's British Light Orchestral Music series.
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